WANG Shuo_Plain scenery _240 x 400cm_Oil painting on canvas _2018
WANG Shuo_Black hand set _150 x 200cm_ Oil painting on canvas_2017
WANG Shuo_Vagus nerve_ 150 x 200cm_ Oil painting on canvas _2017
WANG Shuo_Poly separation _150 x 120cm, 50 x 60cm_Oil painting on canvas_2017
WANG Shuo_With | partner _150 x 120cm x 2 _ Oil painting on canvas_ comprehensive material _2017
WANG Shuo_With | partner _150 x 120cm x 2 _ Oil painting on canvas_ comprehensive material _2017
WANG Shuo_Call mountain _27 x 39cm (drawing core) _Mixed media on paper _2016
Studio_WANG Shuo_Exhibition hall scene
CV
WANG Shuo
For some time, Wang Shuo had
been following a clue we may call “representative indication”. The pictorial
experiments in this period reorganized the fragmented figure images, natural
scenes, and moments of real life to correspond reciprocally with the “indications”,
therefore building an abstract “tendency of momentum”, which had been the focus
of his practice. In recent works, however, we can identify something new: “sketchy
attitude”. This “attitude”, having little bearing on traditional sketch, refers
to the artist’s choice to challenge the “established pictorial styles” and
pursue pictorial accessibility through liberating pictorial media and varying
pictorial approaches. The shift from routine practice to the essence of
painting activates and reorganizes previous experience and new elements.
